It had been a strange day. I looked with no success for scarlet runner bean seeds at Agway. They used to grow to 12 feet in the children’s garden at the Old Stone House, where they sported red flowers and enormous pods with multicolored seeds. Somebody whose name was Billy Currington was singing a country song: “Jesus is great, beer is good, people are crazy.” Now that’s a lyric. I’d stopped by the Old Stone House for the first time in months and someone said that Fred Webster (see my post of May 3, 2010) needed a pacemaker, and that, at age 91, he was thinking about selling everything for $200,000. And it was worth a lot more than that.
I hadn’t seen Fred for a very long time. Now he was 91 years and thinking about selling everything! The report was scary.
The next day I drove to Fred’s farm on a high hill. Clouds were lifting, the world was shining the way it will after spring rains. The Phish stage Fred had saved a few years earlier from the last Phish concert, stood like some fanciful castle on wheels, directly past a scribbled sign a neighbor had put up: “Who shot my turkey?” Why would anyone shoot the man’s turkey, I wondered, and left with no answers, dismissed the sign’s conundrum. The huge barns, showing a few more years of wear, still standing despite themselves, with a monumental history of farming spilling out the doors, were where they’d always been. The farmhouse looked as it always had, worn, and a little haphazard.
I pulled in and went to the door. On the other side of a screen door turned dark with shadows, Fred was sitting at the kitchen table eating a Reese’s peanut butter cup. His wife, Vivian, was napping in the living room, he explained, giving me one of his sweet hugs. I guess he looked older, but not by much, and not as if he needed a pacemaker. His hair was standing straight up as it sometimes does. Hearing that it was me—she’s always liked me, I think, because she likes anyone who likes Fred a lot—Vivian suggested we all sit in the living room, where a clutter of old things was spread across the walls and all over the floor, and where “Murder, She Wrote” played soundlessly on the TV screen. What’s this about a pacemaker, I asked, as I coped with one of the Reese’s cups Fred handed me. Apparently, there was no rush, and Fred wasn’t sure he’d ever go for something like that. “But I am going to die someday,” he said. “No. I won’t allow it,” Vivian declared. She explained that a couple of years ago, after a whole rash of tests, the doctor had said to Fred, “As far as I can see, you’re good to go for another twenty years.” She was holding the old man to it.
And, contrary to the alarming report of the day before, the guy who had offered to buy everything for $200,000 and take it all down to Plainfield for another and, I presume, neater agriculture museum, hadn’t shown up the day before. Fred was just as glad because he didn’t want to sell. “Am I wrong?” he asked. “I don’t want to sell anything. It’s not the money. I just can’t do it.”
What Fred really wanted to talk about was a typed manuscript from Jack Lazor, an organic farmer well-known in Vermont. It was a hunk of white paper full of detail about his farming methods and to Fred it was all a delight. A year before Fred had been inducted into the Vermont Agriculture Hall of Fame, and he thought Lazor should be next. Most of all, he wanted to talk about the tine weeder that the man described, because he had a tine weeder. He could show him an old one. I’d never in my life given a thought to tines, so he and Vivian slipped on jackets and we went to see Fred’s tine weeder, dodging muddy puddles, tripping across thresholds, wooden wheels, machinery made lame by time, parts spilling out into the aisles. The metal roof rattled; the walls groaned. The tine weeder was missing a leg, but the tines all seemed to be there. Vivian took a picture of it, then another, with Fred smiling and pointing.
Now, he said, he wanted to show us something else. Vivian and I followed him down one aisle and up another to a veritable patchwork of tines. “Do you see what these are?” he asked, grinning. “They have tines,” I said. Vivian agreed. “Tines.” “These are all hay forks,” he said. Vivian set about taking photographs of hay forks. I didn’t quite get the point, but I was pretty sure Jack Lazor would when he saw them.
We navigated the muddy banks of several ditches that Fred, his son and whoever had dug to divert water from one place to another. A man, his wife and a barking dog had taken over a bit of trailer that had served as a tool shed, and electric wires had been jerry rigged to turn it into a temporary home. I didn’t get the story, but I always come away from Fred’s with more questions than answers. He’s been reading Bacon’s “Vicissitudes,” he said. That’s the kind of writing he really likes to do, not just words about one generation’s tools and then another’s, not just careful descriptions of the evolution of everything from milking stools to tine weeders. He likes wise words about life, especially when they’re funny, and in Fred’s life there are many of those.
I left then. I didn’t stay for tea. I never got around to eating the second Reese’s Peanut Butter Cup, but it was good to know that Fred Webster’s life is as full to overflowing as ever.